It is all blended, with overlapping applause, to sound like one concert. But appended to the four New York tracks, one at the beginning and one at the end, are two tunes recorded less than a month later in Japan. It comes from a single event that has already passed into legend, Rollins’ sold-out 80th birthday concert at the Beacon Theatre in New York on Sept. If there are degrees of metaphysical experience, Vol. And on every track, just when you think Rollins has arrived at his final crescendo, he kicks it up a level and keeps wailing. The audience could be in the next county, but the clarity and balance is distinctly superior to Vol. The music, all new, comes exclusively from soundboard tapes, so the sound is hard, bright, dry and flat. 1 documented what Rollins fans had been telling us for years: that on his good nights, the saxophonist’s concerts were metaphysical experiences. Three of the tracks had been recorded on cassette from radio or television broadcasts, and four came from soundboard tapes. Its seven tracks spanned 27 years and six different ensembles. 1 was the most important jazz album of 2008, but it had its quirks. Ornette Coleman helps Sonny Rollins celebrate his 80th at NYC's Beacon Theatre Sept.
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